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		<identifier>oai:zbc.uz.zgora.pl:92202</identifier>
	    <datestamp>2025-12-17T12:19:30Z</datestamp>
		  <setSpec>DigitalLibraryZielonaGora:Repository:ListJurnals:FilologiaPolska</setSpec> 	      <setSpec>DigitalLibraryZielonaGora</setSpec> 	      <setSpec>DigitalLibraryZielonaGora:Repository</setSpec> 	      <setSpec>DigitalLibraryZielonaGora:Repository:Faculties</setSpec> 	      <setSpec>DigitalLibraryZielonaGora:Repository:Faculties:FacultyHumanities</setSpec> 	      <setSpec>DigitalLibraryZielonaGora:Repository:TypesWork</setSpec> 	      <setSpec>DigitalLibraryZielonaGora:Repository:TypesWork:Articles</setSpec> 	      <setSpec>DigitalLibraryZielonaGora:Repository:ListJurnals</setSpec> 	    </header>
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<dc:title xml:lang="pl"><![CDATA["Shrekorewolucja", czyli przełomowy charakter produkcji animowanych = "Shrek-revolution", or the groundbreaking nature of animated productions]]></dc:title>
<dc:creator><![CDATA[Borowczyk, Paulina]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[Shrek]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[filmy dubbingowane]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[dialogi filmowe]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[relacje intertekstualne]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[aluzje kulturowe]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[dubbed movies]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[movie dialogues]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[intertextual relationships]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[cultural references]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[In this article, I focus on presenting and discussing the aspects that contributed to the success of the first and second parts of the American production "Shrek". The discussed factors are predominantly characteristic of either animated or live-action movies. The formula proposed by the creators of "Shrek" proved effective to the extent that all the animations made after 2001 have been created in a similar way. Alluding to the world of popculture, absurd humor, parody, using famous actors` voices and applying the cutting-edge technologies are central to creating animated characters and their fairy-tale world.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Uniwersytet Zielonogórski, Instytut Filologii Polskiej]]></dc:publisher>
<dc:contributor><![CDATA[Kaczor, Monika - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Królikowski, Janusz - red. nauk.]]></dc:contributor>
<dc:date><![CDATA[2025]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[artykuł]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/92202/8_borowczyk_shrekorewolucja_pp_127_144.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/104014/edition/92202/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:92202]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Filologia Polska. Zeszyty Naukowe Uniwersytetu Zielonogórskiego, z. 11]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:104014]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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