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	    <datestamp>2024-10-22T11:33:39Z</datestamp>
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<dc:title xml:lang="pl"><![CDATA[Intertekstualność Norwida. Przypadek jednego wiersza = Norwid`s intertextuality. One line case]]></dc:title>
<dc:creator><![CDATA[Ruszczyńska, Marta]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[słowo]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[obraz]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[historia]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[korespondencja sztuk]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[intertekstualizm]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[word]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[image]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[history]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[correspondence of arts]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[intertextualism]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[The article is a proposal to read one poem by Norwid as a text with intermedia values. The author starts with self-referential statements by the poet, undermining the then patterns of the creator-bard, and takes into account the aesthetic theories of the time. In his research, he follows the recognized path of the artist`s natural relationship with the visual arts, as well as with the romantic theory of the correspondence of arts. In this context, I interpret Norwid`s lyrical fragment as an attempt to reference to a tragic event in history - the suicide of the conspirator Karol Levittoux, however, already from a universal perspective.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Next, Norwid`s poem is shown in an intertextual dialoque with Jerzy Andrzejewski`s contemporary novel "Ashes and Diamonds" and with a later film adaptation. Summing up, the author proves that these trangressions result from Norwid`s attempts to create a new symbolic language of poetry, combining the word with the image. Consequently, this type of synthesis translates into a new and unique artistic effect. Thaks to this, Norwid`s work could have a multiplied effekt on the recipient, and nowadays it can become a message that is still alive in our culture.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Ruszczyńska, Marta - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Pałucka-Czerniak, Iwona - red. nauk.]]></dc:contributor>
<dc:date><![CDATA[2024]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/80998/9_ruszczynska_intertekstualnosc.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/90496/edition/80998/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:80998]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[50 lat zielonogórskiej polonistyki]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:90496]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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