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		<identifier>oai:zbc.uz.zgora.pl:79272</identifier>
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<dc:title xml:lang="pl"><![CDATA[Rozważny posthumnanizm i romantyczny transhumanizm - niektóre przypadki kina = The reasonable posthumanism and the romantic transhumanism - some cases of the cinema]]></dc:title>
<dc:creator><![CDATA[Sapeńko, Roman]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[posthumanizm]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[transhumanizm]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[natura człowieka]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[tożsamość]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[elektroniczna persona]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[singurality]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[Test Turinga]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[myślenie symboliczne]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[twórczość]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[posthumanism]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[transhumanism]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[human nature]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[identity]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[electronic personae]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[Turing test]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[symbolic thinking]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[creativity]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[The article tries to present the similarities and the differences between posthumanism and transhumanism, it tries also to check whether there is more that joins or that separates them. The analysis is illustrated with the examples of two films where the reader may observe the crucial problems for this dilemma. The first film is entitled "Ona" (2013, directed by Spike Jonze), the second "Ex Machina" (2015, directed by Alex Garland). As a conclusion the author states that both trends concern the same questions, however, they have different axiological attitude: transhumanism represents the classical Enlightenment optimism, it is romantic and progressive, while the posthumanism presents the reasonable, careful, practical and realistic standpoint.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Lubuskie Towarzystwo Naukowe]]></dc:publisher>
<dc:publisher><![CDATA[Zielona Góra: Uniwersytet Zielonogórski, Wydział Pedagogiki, Psychologii i Socjologii]]></dc:publisher>
<dc:contributor><![CDATA[Sapeńko, Roman - red.]]></dc:contributor>
<dc:contributor><![CDATA[Czeremski, Maciej - red.]]></dc:contributor>
<dc:date><![CDATA[2016]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[artykuł]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/79272/5_sapenko_rozwazny.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/89103/edition/79272/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:79272]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Rocznik Lubuski, tom 42, część 2]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:89103]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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