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<dc:title xml:lang="pl"><![CDATA[Elementy autobiograficzne w zbiorze wywiadów "Gli antipatici" Oriany Fallaci = Autobiographical elements in the collection of interviews by Oriana Fallaci, "Gli antipatici"]]></dc:title>
<dc:creator><![CDATA[Tichoniuk-Wawrowicz, Ewa]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[Fallaci, Oriana (1929-2006)]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[wywiad]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[elementy autobiograficzne]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[podmiot autobiograficzny]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[autokreacja]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[interview]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[autobiographical elements]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[autobiographical subject]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[autocreation]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[Oriana Fallaci - "journalist, agitator, legend" - persistently built her own legend during decades of intensive journalistic and then literary work. Santo L. Arico considered her and all her work to be steeped not even in self-centeredness but in narcissism. So, is it possible to find traces of Fallacian autocreation and autobiographical elements in her interviews, focused though on meeting with other people?]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[The analytical material will be the volume of "Gli antipatici" ("Antipathics", 1963; British translation: "Limelighters", 1967; American translation: "The Egotists: Sixteen Surprising Interviews", 1968), which has not yet been translated into Polish. It contains eighteen conversations with celebrities of the 1950s and 1960s, including the poet and Nobel Prize winner Salvator Quasimodo, the football player Giovanni Rivera, the actress Anna Mag nani or the diplomat and playboy Porfirio Rubirosa Ariza.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[These conversations are preceded by introductions presenting the circumstances surrounding the meeting. These introductions become a manifestation of the game with genre conventions, and a place where Fallaci could present herself to the reader in order to appear as the next character of the analyzed book.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Seul, Anastazja - red. nauk.]]></dc:contributor>
<dc:date><![CDATA[2021]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/78335/9_tichoniuk_elementy.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/87697/edition/78335/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:78335]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 16]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:87697]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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