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<dc:title xml:lang="pl"><![CDATA[Modern Mansfield and Old Masters. Hypotyposis in selected short stories by Katherine Mansfield]]></dc:title>
<dc:creator><![CDATA[Kwiatkowska, Anna]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[Mansfield, Katherine (pseud.); Mansfield Murry, Kathleen (1888-1923)]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[still life]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[vanitas]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[genre painting]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[narration]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[The stories of Mansfield show a strong affinity with seventeenth and eighteenth-century paintings. It is interesting to observe how Mansfield`s Modernist narratives activate in the reader`s mind the pictures and genres typical of past artistic epochs.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Her stories abound in all types of references to Old Masters` paintings - one can find verbal representations of flowers and/or fruit compositions, arrangements with musical instruments or with food and/or kitchen utensils.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Many of these pictorial descriptions can be viewed as instantiations of "hypotyposis", a concept that is broad enough to allow for various associations: while some readers will point to those elements of the description which hint at the influences of Paul Cezanne, others will indicate features that bring to mind Claude Monet or Mary Cassat, whereas still others will identify the subtle charm of Jean Chardin, the ambience of Johannes Vermeer`s interiors, or meticulous food arrangements by Francisco Zurbaran.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[The article seeks to establish analogies between Old Masters` compositions, (with the focus on still life, "vanitas" and genre painting) and Mansfield`s narrative structures.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Gołębiowska, Urszula - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Kubasiewicz, Mirosława - red. nauk.]]></dc:contributor>
<dc:date><![CDATA[2019]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/78254/4_kwiatkowska_modern.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/87578/edition/78254/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:78254]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 14]]></dc:source>
<dc:language><![CDATA[eng]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:87578]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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