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<dc:title xml:lang="pl"><![CDATA[A sense of ending. Henry James and Adorno`s "Spätstil"]]></dc:title>
<dc:creator><![CDATA[Gutorow, Jacek]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[modernism]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[aesthetics]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[late style]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[organicism]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[revision]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[While we are perfectly justified in acknowledging the emergence of a new idiom in Henry James`s works after 1900 (the date is necessarily tentative), we should see in his so-called late style not only a mere rhetorical or linguistic phenomenon but a result of existential processes transcending questions of style, language and novelistic technique.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[The main proposition set forth in the article is that it might prove interesting and critically illuminating to situate James`s late texts in the context of Theodor W. Adorno`s notion of "Spätstil" (late style) as developed by the German philosopher in his essays on Beethoven`s last compositions.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[James`s urge to complicate and indeed question his own work, to forward and assist its own exhaustion and dissolution, to point to its existential insufficiency and irrelevance, is a critical impulse conspicuously compatible with the Adornian concept. The ends of such a critique is a heightened awareness of the inadequacy of the medium and an assumption of art as necessarily anti-mimetic and anti-realistic. As is well known, this tendency informed James`s last writings, and it gave them a distinct, unmistakable flavor.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Gołębiowska, Urszula - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Kubasiewicz, Mirosława - red. nauk.]]></dc:contributor>
<dc:date><![CDATA[2019]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/78251/1_gutorow_a_sense.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/87575/edition/78251/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:78251]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 14]]></dc:source>
<dc:language><![CDATA[eng]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:87575]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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