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		<identifier>oai:zbc.uz.zgora.pl:78165</identifier>
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<dc:title xml:lang="pl"><![CDATA[Bohaterki słowiańskiej historii. Królowe, kapłanki i ofiarnice w utworach Juliusza Słowackiego (na wybranych przykładach) = The heroine of the Slavic history. Queens, priestesses and sacrifices in Juliusz Słowacki`s works (based on chosen examples)]]></dc:title>
<dc:creator><![CDATA[Ruszczyńska, Marta]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[Slav history]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[myth]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[sacrifice]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[słowiańszczyzna]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[mit]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[ofiara]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[This article is an attempt to show feminine figures in the context of the Slavic history. Chosen examples were selected mainly from the Słowacki`s dramas. They are placing themselves around the Slavic myth of the beginning. The priestess and sacrifice from the drama "Lilla Weneda" are two the most complementary representatives of Sisters figures next to the figure of legendary Wanda.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Indeed a mythical tale about the Slavic history which is poet`s own imagination touches our national history in the day of romanticism. These three figures were written in the grounds of the Greek myth about Ifigenia - king Agamemnon`s daughter, who was consecrated to the gods on the altar of the homeland. According to the author of this article, Słowacki in a peculiar way presents his own version of the Slavic prehistory which is also representing the feminine experience in dealing with the fatalism and fate.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Despite of the different roles played by its heroine, the fact is that each of them becomes the sacrifice in the clash with the authority of the father, homeland or history. In this context heroines of the Slav history, from Słowacki`s perspective, are putting their name down in the typical manner of new reading out the great literature, in this case of Greek tragedy by Eurypides.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Bielniak, Nel - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Urban-Podolan, Aleksandra - red. nauk.]]></dc:contributor>
<dc:date><![CDATA[2018]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/78165/6_ruszczynska_bohaterki.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/87406/edition/78165/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:78165]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 11]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:87406]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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