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<dc:title xml:lang="pl"><![CDATA[Odzyskane ciało Catherine Sloper. "Plac Waszyngtona" Henry`ego Jamesa w interpretacji Agnieszki Holland = The reclaimed body of Catherine Sloper. Agnieszka Holland`s interpretation of Henry James`s "Washington Square"]]></dc:title>
<dc:creator><![CDATA[Gołębiowska, Urszula]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[James, Henry (1843-1916)]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[Holland, Agnieszka (1948- )]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[adaptacja filmowa]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[The aim of the article is to explore the significance of the departures from the novelistic original inAgnieszka Holland`s film adaptation of Henry James`s "Washington Square". The elements omittedas well as those introduced in the film point to a consistent interpretative line adopted by thefilmmakers - to present the main charakter`s development in terms of the awakening of her body.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[The article identifies the motives and scenes absent from the novel and mobilized in the adaptationwhich indicate the importance of Catherine Stoper`s body to her transformation from a submissive,obedient daughter to a self-aware woman. Maurice Merleau-Ponty`s conception of "formativetouch" has been enlisted to illuminate Catherine`s development which is shown through a changein her gestures, movements, through recurring mirror reflections, as well as her newly found voice, insights and choices.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[The film`s ending is consistent with the filmmakers` interpretation: Catherine does not emerge as ultimately silenced by patriarchy - abandoned by her lover and condemned to a lonely existence in her father`s house. She triumphs over the circumstances, forging a meaningful life for herself, the life that involves pleasure as well as significant ties with others.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Kulczycka, Dorota - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Hernik-Młodzianowska, Monika - red.]]></dc:contributor>
<dc:date><![CDATA[2016]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/58233/9_golebiowska_odzyskane.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/64838/edition/58233/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:58233]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 6]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:64838]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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