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<dc:title xml:lang="pl"><![CDATA[Recepcja i wpływy Eugeniusza Sue we Włoszech = Reception and influence of Eugene Sue in Italy]]></dc:title>
<dc:creator><![CDATA[Tichoniuk-Wawrowicz, Ewa]]></dc:creator>
<dc:subject xml:lang="pl"><![CDATA[Sue, Eugene (pseud.), Sue, Marie-Joseph (1804-1857)]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[krytyka literacka włoska]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[19 w.]]></dc:subject>
<dc:description xml:lang="pl"><![CDATA[The nineteenth century witnessed a rapid development of popular fiction. Growing number of nondemanding readers allowed authors to support themselves and gain popularity without old-timepatronage. Therefore, industrial literature ("literature industrielle") flourished, often taking the form ofa serial novel ("roman feuilleton"; "romanzod` appendice"). Such as "The Mysteries of Paris" ("Les Mysteres de Paris"; 1842-1843) by Eugene Sue.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[The Italian translation of Sue?s bestseller first appeared in Florence between 1843 and 1844, fouryears later came another two versions. At the same time a number of similar titles emerged. In total,more than thirty novels of this type were published during forty-five years (1849-1894).]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Italian "Misteri" are not widely recognized literature. They were, however, an essential element ofthis culture and are still valid certificate of a dynamic, multifaceted socio-political transformation.Furthermore, although the formal manner of these novels usually does not stand the test of time, thecontent seems to be still valid. And that`s regarding its specifically ludic function (to cause reader`sterror, shock him), as well as the ideological one, sometimes even utopian idealistic significance, lessand less frequently encountered in mass literature.]]></dc:description>
<dc:publisher><![CDATA[Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego]]></dc:publisher>
<dc:contributor><![CDATA[Kulczycka, Dorota - red. nauk.]]></dc:contributor>
<dc:contributor><![CDATA[Narolska, Aneta - red.]]></dc:contributor>
<dc:date><![CDATA[2014]]></dc:date>
<dc:type xml:lang="pl"><![CDATA[rozdział w książce]]></dc:type>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[http://www.zbc.uz.zgora.pl/repozytorium/Content/55963/18_tichoniuk_recepcja.pdf]]></dc:identifier>
<dc:identifier><![CDATA[https://zbc.uz.zgora.pl/repozytorium/dlibra/publication/62474/edition/55963/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:zbc.uz.zgora.pl:55963]]></dc:identifier>
<dc:source xml:lang="pl"><![CDATA[Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 3]]></dc:source>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[oai:zbc.uz.zgora.pl:publication:62474]]></dc:relation>
<dc:rights xml:lang="pl"><![CDATA[Biblioteka Uniwersytetu Zielonogórskiego]]></dc:rights>
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