@misc{Gutorow_Jacek_A,
 author={Gutorow, Jacek},
 howpublished={online},
 publisher={Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego},
 language={eng},
 abstract={While we are perfectly justified in acknowledging the emergence of a new idiom in Henry James`s works after 1900 (the date is necessarily tentative), we should see in his so-called late style not only a mere rhetorical or linguistic phenomenon but a result of existential processes transcending questions of style, language and novelistic technique.},
 abstract={The main proposition set forth in the article is that it might prove interesting and critically illuminating to situate James`s late texts in the context of Theodor W. Adorno`s notion of "Spätstil" (late style) as developed by the German philosopher in his essays on Beethoven`s last compositions.},
 abstract={James`s urge to complicate and indeed question his own work, to forward and assist its own exhaustion and dissolution, to point to its existential insufficiency and irrelevance, is a critical impulse conspicuously compatible with the Adornian concept. The ends of such a critique is a heightened awareness of the inadequacy of the medium and an assumption of art as necessarily anti-mimetic and anti-realistic. As is well known, this tendency informed James`s last writings, and it gave them a distinct, unmistakable flavor.},
 type={rozdział w książce},
 title={A sense of ending. Henry James and Adorno`s "Spätstil"},
 keywords={modernism, aesthetics, late style, organicism, revision},
}