@misc{Ślósarz_Anna_Dwa,
 author={Ślósarz, Anna},
 howpublished={online},
 publisher={Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego},
 language={pol},
 abstract={Literary film affordances, i.e. the ways in which literature refers to film, include citing names of actors, names of movie heroes, and film titles; they include also reflections on the role of film in society, on the ways in which it is received by the viewers, on the characteristics of the audience, etc. 214 literary texts - poems, short stories, novels and drama - from the 21st century have been scanned with the use of "Adobe Fine Reader 12" programme in search of the word "film".},
 abstract={The word has appeared only once in 125 poems. In fairy tales and novels, film affordances depicted the main theme of the text by referring it to the experiences shared by the author, the character and the reader: they were associated with watching movies, emotions and activities such as sensing danger ("Bajki nowe" - "New Fairy Tales"), participating in the process of democratization of the society and spreading war propaganda ("Atonement"), forming a consumerist attitude ("Zwał" - "Exhaustion").},
 abstract={In the case of drama, affordances were used to form a short-lived link between viewers, heroes and creators of the show; the theatricality and inauthenticity of the world presented in the film was often emphasized. The hypothesis that "film affordances in the literature depend on literary genre" has been confirmed.},
 type={rozdział w książce},
 title={Dwa bieguny filmowych afordancji w literaturze XXI wieku = Two poles of film affordances in the literature of the 21st century},
 keywords={afordancje filmu literackiego, bohater filmowy, widz, imperializm kulturowy, demokratyzacja, propaganda, postawa konsumpcyjna, nieautentyczność, literary film affordances, movie heroes, viewers, watching movies, sensing danger, cultural imperialism, democratization, consumerist attitude},
}